Archive

01 Déc Unicorn Wars

Publié à 15:01h in par Gabriela de Carvalho

23 Nov Venus de Lespugue

Publié à 15:38h in par Gabriela de Carvalho

[vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern"][vc_column width="2/3"][vc_column_text] [vc_gallery interval="10" images="4458,4460,4461,4462,4463,4459,4457" img_size="full" onclick=""] ©La Voie Lactée [/vc_column_text][/vc_column][vc_column width="1/3"][vc_column_text] Broadcast on France 3 on 02/23/2023 The Venus of Lespugue, 14 cm high, is a mammoth ivory jewel. It was found in 1922 at the foot of the Pyrenees, in Haute-Garonne, by René de Saint-Périer, a doctor passionate about archeology, then almost blind! Dated to 25,000 years before our era, the sculpture with its generous curves, its fractures and its mathematical construction, inspired Picasso and Giacometti in particular. Nathalie Rouquerol, a historian specializing in prehistory, lives a few hundred meters from the Rideaux cave in the Save valley, where the figurine was found. Always passionate about this discovery, she takes us to meet personalities who shed light on the mystery of this sculpture, a real "Mona Lisa of the Paleolithic". On this documentary, we made the infographics of the Venus of Lespugue from an existing 3D model of the Museum of human (National Museum of Natural History). For this project, a non-realistic aesthetic was chosen. Crédits Production: La Voie Lactée Coproducers: le LoKal et France Télévisions Director: Anaïs Enshaian Wrote by: Nathalie Rouquerol et Anaïs Enshaian Les Fées Spéciales On this project, we created 3D infographics. Artistic director: Eric Serre Modeling, lighting & compositing: Damien Picard Layout &...

30 Oct Tricotown

Publié à 10:20h in par Gabriela de Carvalho

24 Oct Mafalda

Publié à 11:25h in par Gabriela de Carvalho

[vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern"][vc_column width="2/3"][vc_column_text] Images from the documentary [vc_gallery interval="5" images="4486,4485,4489,4488,4487,4492,4491,4490" img_size="full" onclick=""] Poses and tests [vc_gallery interval="10" images="4493,4495,4494" img_size="full" onclick=""] Test de marche [vc_video link="https://vimeo.com/812399571/2c575f94bb"] ©CFRT/Joparige films [/vc_column_text][/vc_column][vc_column width="1/3"][vc_column_text] Broadcast on France 3 on 03/30/2023 60 years ago, born in Buenos Aires, under the genius pen of its author Quino, a rebellious little girl who cared about the things of life. Mafalda was interested in the world and asking questions. Mafalda, reviens! tells the story of this heroine, symbol of a protesting and anti-conformist spirit famous throughout the world. Using archives, animated images, and real shots, the little Mafalda becomes an unusual gateway to look at the world of today. What's happened since Quino stopped drawing her? What have we done ? Where is the peace? Feminism ? The middle class ? The planet ? Where are we with anger? With insolence? CRFT trusted us for the 2D animation sequences of the documentary. We had the chance to animate the little Mafalda present in the live action. Some of the animations were produced in cut-out animation (with Blender) by Studio 3.0 from 2D puppets made by our team. The other animations were animated in 2D key frame with grease pencil by our graphic designers. We made the...

30 Août Tinykin

Publié à 11:11h in par Gabriela de Carvalho

[vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern"][vc_column width="2/3"][vc_column_text] Trailer [vc_video link="https://www.youtube.com/watch?v=terVw3jDZeo&ab_channel=tinyBuildGAMES"] Game screenshot [vc_gallery interval="10" images="4271,4272,4268,4269,4270,4267" img_size="full" onclick=""][/vc_column_text][/vc_column][vc_column width="1/3"][vc_column_text] Coming august 30 2022 Milo arrives on Earth to find that he's way too small, everybody's gone and a day hasn't passed since 1991! Team up with the mysterious tinykin and use their unique powers to create ladders, bridges, explosions and a lot more! Find a way home through a sprawling ant-sized metropolis, and unravel Earth's biggest mystery! Game available on Switch, PC, PS4, PS5, Xbox One, Xbox Série X. The studio made the animated sequences of the video game. The 2D animation technique was chosen, our team used Blender's Grease Pencil tool and various tools developed by our R&D team. You can find a presentation of the color picker, created for this project, on our technical blog. Play Credits Artistic director: Simon Trousellier Creative director: Marie Marquet, Romain Claude Développement : Splashteam Editeur : tinyBuild Les Fées Spéciales Technical director: Flavio Perez Production manager: Natalène Darfeuille Storyboard: Julien Daubas Background artist: Gaëlle Diot, Léa Cluzel Layout & animatiq: Maxime Labate, Lucile Le Boullec, Damien Picard Animator: Camille Guillot, Julien Delwaulle Clean/colo: Coline Fournier, Cléa Gonay, Camille Guillot, Suzanne Matharan, José Perez Compositing: Julien Delwaulle Developpers /Technical support: Baptiste Delos, Amélie Fondevilla Production manager assistant: Gabrielle Gonçalves [/vc_column_text][/vc_column][/vc_row]...

04 Juil Ensérune – Interactivity

Publié à 14:05h in par Gabriela de Carvalho

[vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern"][vc_column width="2/3"][vc_column_text] Photos of the installation [vc_gallery interval="10" images="4363,4362,4361,4360" img_size="full" onclick=""] Images from the multimedia [vc_gallery interval="10" images="4351,4355,4349,4356,4348,4365,4364,4353,4354" img_size="full" onclick=""] [/vc_column_text][/vc_column][vc_column width="1/3"][vc_column_text] In 2022, we had the opportunity to work for the first time with "Drôle de Trame" and the "Centre des Monuments Nationaux" (National Monuments Center) at the Oppidum d'Ensérune site. We created three elements for the new permanent exhibition at the museum. In addition to the projected map "Ensérune Crossroads of Civilizations," we developed two interactive installations, "A Tune from Athens" and "The World of the Celts." These two tactile applications are located in the Mouret room, the final stop on the tour, which houses a significant portion of the vases discovered in the necropolis and immerses us in Félix Mouret's study in 1916. At the center of the room, two tables, true discovery cabinets, integrate the digital installations that allow us to step into the shoes of Félix Mouret in 1916, during the excavations and cataloging of discoveries. His classification system, which he described in a volume of the "Corpus Vasorum Antiquorum," remains a reference in the identification of vases of Greek origin or influence even in our time. The first table, "A Tune from Athens," is dedicated...

04 Juil Ensérune – Crossroads of civilizations

Publié à 14:03h in par Gabriela de Carvalho

[vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern"][vc_column width="2/3"][vc_column_text] Photos of the installation [vc_gallery interval="10" images="4336,4337,4338,4345,4346" img_size="full" onclick=""] Images from the film [vc_gallery interval="10" images="4339,4340,4341,4342,4343,4344" img_size="full" onclick=""] [/vc_column_text][/vc_column][vc_column width="1/3"][vc_column_text] In 2022, we had the opportunity to collaborate for the first time with "Drôle de Trame" and the "Centre des Monuments Nationaux" on the site of the Oppidum d'Ensérune. We created three elements for the new permanent exhibition of the restored museum. The first element, "Ensérune Crossroads of Civilizations," is a map over 1.50 meters in height projected onto a relief map of Europe, serving as an introduction to the site's visit. Through this 3-minute spectacle, visitors can discover iconic objects imported over seven centuries by the inhabitants of Ensérune. The various objects presented in the film are displayed in the showcases of the room. As the motion design animations progress, we explore the different civilizations that populated Europe and the Mediterranean region: Celts, Orientals, Phoenicians, Romans, and more. It's a true immersion into the consumption habits of the inhabitants of the Oppidum d'Ensérune from 575 BC to 200 AD. The new museum tour was inaugurated in early July 2022. See other installations Credits Client: Centre des Monuments Nationaux Alexandra Dromard et Lina Nakazawa Lionel Izak Sophie Izak Main contractor Scenography Workshop: Fakestorybird, Marion Lyonnais, Joël Tanguy Graphic...

20 Juin Nitrokid

Publié à 14:28h in par Gabriela de Carvalho

12 Mai Promenade dans Rome

Publié à 14:26h in par Gabriela de Carvalho

[vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern"][vc_column width="2/3"][vc_column_text] Film [vc_video link="https://vimeo.com/705414366/44425a182b"] Images from the film [vc_gallery interval="10" images="4321,4322,4323,4324,4325" img_size="full" onclick=""] [/vc_column_text][/vc_column][vc_column width="1/3"][vc_column_text] We are back again with the team at Musée Fabre, following our successful collaboration on Fabre and the City #2’s journey spanning 800 years. This time, painter Louis Gauffier is our focus, as we follow him throughout 18th century Rome. This film merges both 2D animation and original engravings by the artist. We have managed to recreate historical views of places now gone, as well as a map of Rome as it was at the time. Our take on Gauffier’s stroll depicts the artist’s work methods and showcases some of his long-lasting inspirations. The film is a component of an exhibition entitled “Le voyage en Italie de Louis Gauffier”, taking place at the Musée Fabre from May 7th to September 4th, 2022. The exhibition features numerous works by painter Louis Gauffier, born in Poitiers, and recipient of the prestigious Prix de Rome in 1784. Find out more about the exhibition Credits Musée Fabre Digital projects manager: Anne Le Cabec Cultural heritage curator: Pierre Stépanoff Head and curator of Musée Fabre: Michel Hilaire Les Fées Spéciales Director, art director, scenario and animatic: Eric Serre Character design and 2D animation: Coline Fournier Original music...

19 Avr Orbis

Publié à 15:04h in par Gabriela de Carvalho

[vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern"][vc_column width="2/3"][vc_column_text] Images from the project [vc_gallery interval="10" images="4315,4316,4309,4311,4313,4314,4310" img_size="full" onclick=""] The signs used in the game [/vc_column_text][/vc_column][vc_column width="1/3"][vc_column_text] On September 20, 1519, Portuguese explorer Ferdinand de Magellan set sail under the Spanish flag with a fleet of five ships and 237 men. While Magellan did not survive this perilous journey (he passed away on April 27, 1521), his fleet (what remained of it) successfully circumnavigated the globe, reaching Spain via the Cape of Good Hope, thus completing the first-ever circumnavigation of the world. The epic voyage of this extraordinary journey serves as the backdrop for the VR game "Orbis." Magellan's expedition provides a unique opportunity to transport players into uncharted territory through a virtual reality game where survival and success depend on our ability to manage ourselves and communicate with people from distant lands using our hands. In this project, our studio is responsible for the artistic aspects: design, modeling, rigging, animation, compositing, rendering, and other elements that will be integrated into the VR game. The development is being handled by the American studio Ink Studio. "Orbis" marked our first collaboration with a U.S.-based studio. We are currently in the artistic prototype stage of the VR game. Credits Production: Lucid Realities, Ink...

16 Jan Impesanteur

Publié à 11:41h in par Gabriela de Carvalho

[vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern"][vc_column width="2/3"][vc_column_text] Pictures [vc_gallery interval="10" images="4246,4247" img_size="full" onclick=""] [/vc_column_text][/vc_column][vc_column width="1/3"][vc_column_text] Impesanteur (lit. Weightlessness) is a R&D prototype which offers two different user experiences of the same zero-gravity simulation : an Augmented Reality one, using Hololens 2 connected glasses, and a Virtual Reality one, enabled by the use of an Oculus Rift-type headset. The VR simulation consists of the recreation of either a neutral environment, or that of a space shuttle (using the ISS as a setting). The user may try and interact with a solid object (a pen) or water, in a zero-gravity environment. He also comes in close contact with and witnesses an astronaut moving about. To finish with, the user can experience his own movement as if he was in space. The AR simulation allows the user to interact with a pen and water as well. This prototype also shows the astronaut move, weightless. Credits Production : EPPDCSI (Universcience, Palais de la Découverte et Cité des Sciences et de l’Industries) et Les Fées Spéciales. Les Fées Spéciales Technical director : Flavio Perez Developer : Simon Galand [/vc_column_text][/vc_column][/vc_row]...

16 Oct A Cavalòt

Publié à 11:48h in par Gabriela de Carvalho

[vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern"][vc_column width="2/3"][vc_column_text] Pictures from the music video [vc_gallery interval="10" images="4251,4252,4253,4254,4255,4256,4257,4258,4259" img_size="full" onclick=""] Music video [vc_video link="https://www.youtube.com/watch?v=a3ovVzigVNs"] [/vc_column_text][/vc_column][vc_column width="1/3"][vc_column_text] After a 7-year long break from the stage, Massilia Sound System is back at last with a new album entitled Sale Caractère, and the music video to their new song A Cavalòt. The Marseille-born band have asked film director and editorial cartoonist Aurel to direct the music video. Aurel made the choice to add animated sequences to raw camera footage. We joined the venture by providing a new open-source technical tool called Flipix, which allows one to create animation in real time upon live footage. The music video was an opportunity for us to test and adjust the first version of the prototype. We are eager to try it and perfect it further on future projects. This project was made using the prototype Flipix, which is supported by the French National Centre for Cinema (CNC)’s subsidy for technical industries. Credits Production : MANIVETTE RECORDS and LES FILMS D'ICI MÉDITERRANÉE Screenwriting, directing and design : Aurel Images : Sylvère Petit Assistant director : Élodie Dombre Editor : Thomas Belair Compositing and special effects : Julien Delwaulle R&D engineer : Mina Pêcheux Massilia Sound System : Papet J, Moussu T, Gari Grèu, Janvié...

01 Oct Shamane

Publié à 15:13h in par Gabriela de Carvalho

[vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern"][vc_column width="2/3"][vc_column_text] Demonstration video [vc_video link="https://vimeo.com/617064788/966ec35a36"] Research images [vc_gallery interval="10" images="4181,4179,4180,4183,4184,4185,4186,4182,4178" img_size="full"] [/vc_column_text][/vc_column][vc_column width="1/3"][vc_column_text] Prototype - In development Shamane is a platform project providing a tool to study the population dynamics of Przewalski's horses and their mediation with the public. The prototype was created for the association Takh (which means Przewalski's horse in Mongolian) to demonstrate the usefulness of digital tools to help the conservation of the last wild horse species. Since the 90's, their mission has allowed the reintroduction of a small population of Przewalski's horses in their natural environment in Mongolia. We worked on the artistic and ergonomic part of the prototype in collaboration with Géomatys, a company specialized in geospatial data processing, which created the interface. The objective of this scientific-technical and artistic association is to facilitate the reading and accessibility of the data. Our mission at the studio was to set up the artistic direction of the prototype interface, to design a website and to make a tutorial film. The choice of textures, graphic signals as well as the color codes are inspired by the arid steppes where horses live, and the colorful tones of the landscapes. A rupestrian inspiration transpires in the treatment of the symbols and the...

28 Sep The Missions of the Departmental Archives of the Gard

Publié à 10:11h in par Gabriela de Carvalho

[vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern"][vc_column width="2/3"][vc_column_text] Images from the film [vc_gallery interval="10" images="4157,4162,4160,4161,4159,4158" img_size="full"] Research images [vc_gallery interval="10" images="4153,4152,4154,4155,4156" img_size="full"] [/vc_column_text][/vc_column][vc_column width="1/3"][vc_column_text] Parallely to the realization of the animated credits of the web-series Généalogistes en Herbe, the Departmental Archives entrusted us with the mission of creating a 2 minutes film about their 4 main missions. From collection, to communication by way of classification and conservation, we discover, in a didactic way, the hidden side of the archivist's job. For the needs of this subject, we chose the technique of motion design, which allowed us to create a colorful universe. The objects and documents of the archives are associated with gestures and short sketches asserting the human dimension of the Archives' jobs. A chosen range of color guides the viewer according to the mission. Credits Production: Archives départementales du Gard et Les Fées Spéciales Archives départementales du Gard Project management: Archives départementales du Gard Conception and project coordination: Alicia Jeandenans & Manon Boucher, under the supervision of Fabienne Griot Les Fées Spéciales Directors: Marie Saby et Léa Cluzel Graphic author: Léa Cluzel Animator: Julien Delwaulle Technical director: Flavio Perez Artistic supervision: Eric Serre Financial director: Sophie Marron Project manager: Natalène Darfeuille Assistant project manager: Sophie Menegazzi et Tanya Monamy Son : Mare Nostrum Records [/vc_column_text][/vc_column][/vc_row]...

28 Sep Généalogistes en herbe

Publié à 09:26h in par Gabriela de Carvalho

[vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern"][vc_column width="2/3"][vc_column_text] Images from the film [vc_gallery interval="10" images="4141,4142,4143,4144,4145,4146" img_size="full"] Research images ][vc_gallery interval="10" images="4147,4149,4148" img_size="full"] Le premier épisode [vc_video link="https://www.youtube.com/watch?v=QemX9p9L9PA"] The realization of the episode is made by Les Archives départementales du Gard. [/vc_column_text][/vc_column][vc_column width="1/3"][vc_column_text] The Departmental Archives of the Gard commissioned us to create the credits for their web-series "Généalogistes en herbe". This order was realized at the same time as the creation of an animated film highlighting the role of the Archives. For this project, we had carte blanche to propose an animated generic of approximately thirty seconds to introduce a series in shooting about genealogy. The director chose to propose a universe between realism and imagination that gives a living dimension to the archives, and echoes the exercise of mental and narrative projection that genealogical research requires. Within a few seconds, thanks to the motion design animation, the family tree comes to life and invites us to imagine and schematize our past. Credits Production: DepartementalArchives of the Gard et Les Fées Spéciales Project management: Archives départementales du Gard Video design, production and editing, project coordination: Alicia Jeandenans & Manon Boucher, under the supervision of Fabienne Griot Les Fées Spéciales Director: Léa Cluzel Graphic author: Léa Cluzel Animator: Julien Delwaulle Graphic designer: Marie Saby Technical director: Flavio Perez Artistic supervision: Eric Serre Financial...

10 Sep Napoleon, apology and satire

Publié à 15:22h in par Gabriela de Carvalho

[vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern"][vc_column width="2/3"][vc_column_text] Images [vc_gallery interval="10" images="4136,4133,4134,4135" img_size="full"] Mobile version [/vc_column_text][/vc_column][vc_column width="1/3"][vc_column_text] In the spring of 2021, we are once again working with the Institut de France's mediation and pedagogical team to design a mini exhibition site around the reign of Napoleon I. There are numerous illustrations of the reign of Napoleon I, whether they come from the propaganda of the empire or from his enemies, the Emperor led to extensive press coverage in a few years. Through 4 main themes: war and peace, Napoleon's government, Napoleon and Europe and Portraits of Napoleon, the user can observe different portraits and prints. Thanks to the features of the mini-site, one can zoom in on the details of the image and read the information about it. The site offers educational activities for students (middle or high school) to discover each of the 4 themes of the file. The site is responsive, which means that it is visible on computer, tablet and mobile. Learn more: The virtual exhibition The Institute's dossier Credits Production : L’Institut de France et Les Fées Spéciales Institut de France Scientific and educational design: Maud Ternon et Catherine Dalarun Image credits: © Fondation Dosne-Thiers (Institut de France). Collection Frédéric Masson. Les Fées Spéciales Design and artistic direction: Marie Saby Co-managers: Flavio Perez, Eric...

15 Juin Maryam & Varto

Publié à 14:53h in par Gabriela de Carvalho

[vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern"][vc_column width="2/3"][vc_column_text] Teaser [vc_video link="https://vimeo.com/577083060/b7f901e9cf"] Images from the pilot [vc_gallery interval="3" images="4068,4069,4070" img_size="full"] [/vc_column_text][/vc_column][vc_column width="1/3"][vc_column_text] Anatolia, 1915. Maryam and her brother Varto, two armenian kids, are caught in WW1 upheaval. A turkish young adolescent is given the harsh mission to save them. Together, they will experience a risky but enchanted odyssey. Nowadays, this adventure has unexpected consequences, whilst a young woman and her son are traveling from Istanbul to France to meet a grumpy old man who doesn’t want to see them. History secrets sometimes hide family secrets, and ghosts are waiting to be reunited. This project was selected for the Cartoon Movie 2021 pitches. Credits Production : Tchack Directors: Alexandre Heboyan et Gorune Aprikian Screenplay: Gorune Aprikian et Alexandre Heboyan Artistic director: Luciano Lepinay Chara Design: Marietta Ren Original soundtrack (teaser): Karim Lekehal (Gling-Glang Studio) In coproduction with : ARAPROD et Alain Grandgerard producteur associé Les Fées Spéciales We’ve just finished the making of the 14 shots of the pilot, from traditional animation to compositing. Les Fées Spéciales' Team : Artistic director: Eric Serre Technical director: Flavio Perez Financial director: Sophie Marron Production manager: Natalène Darfeuille & Gabrièla de Carvalho Production manager assistant: Sophie Menegazzi R&D manager: Damien Picard & Baptiste Delos Grease Pencil consultant: Daniel Martinez Lara Layoutman: Pascal Larramendy Animators: Angel Binard, Marthe Delaporte, Coline Durtschi, Camille Guillot, Paolo...

15 Juin Rocks

Publié à 14:49h in par Gabriela de Carvalho

[vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern"][vc_column width="2/3"][vc_column_text] Images [vc_gallery interval="3" images="4066,4065,4067" img_size="full"] [/vc_column_text][/vc_column][vc_column width="1/3"][vc_column_text] Rocks is a documentary series project about minerals composed of 10 short episodes. For the first time, their link to Human history will be enlightened. The series, produced by Les Films Invisibles, is written by Anna Medveczky and Boris Garavani and directed by Théo Jollet, Thomas Trichet and Martin Maire. Les Films Invisibles gave us the mission to make photorealistic 3D models of the different scenes illustrating the voice over. We also made a part of the renderings of the movie. The pilot making just ended. This test episode tells the story of the quartz which, since it was discovered, has been central in different industries: arts, horology, technologies, ...

16 Mai Jardins enluminés / Jardins il·luminats

Publié à 09:09h in par Gabriela de Carvalho

[vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern"][vc_column width="2/3"][vc_column_text] The immersive room and interviews [vc_video link="https://vimeo.com/552027268/016806453f"] Research images [vc_gallery interval="10" images="4039,4040,4166,4167" img_size="full"] Fabrication and installation [vc_gallery interval="10" images="4173,4168,4175,4172,4174,4169,4170,4171" img_size="full"] [/vc_column_text][/vc_column][vc_column width="1/3"][vc_column_text] The Pyrénées-Orientales department gave us the mission to turn a room of the Palace of the Kings of Majorca into an immersive place appealing visitors to rediscover this Middle Age atypical palace’s history. We decided to use the video mapping technique to dress the room’s four walls. The directors duo, Maud Sertour and Samy Barras, joined us to create the animated sequences that will be projected in the stables room, still never visited yet, from next spring onwards. The sound and visual experience lets us discover the catalan palace at its origin, before Vauban decided to turn it into a citadel. This new mediation tool enables to discover the wonderful exterior places that surrounded the palace, an invitation to uncover the medieval fauna and flora throughout the seasons, just like a lost Garden of Eden. The light will adapt to the stones, bricks and scars in the walls to play different medieval pictures. This experience is accessible to all since May 2021. Credits Production: Département des Pyrénées-Orientales, Opixido and Les Fées Spéciales. Contracting authority/Project owner: Département des Pyrénées-Orientales. This multimedia is produced in association with Opixido...

16 Mai Léonard de Vinci – Les carnets de L’Institut

Publié à 08:51h in par Gabriela de Carvalho