Archive

26 Oct

Publié à 22:06h in par

[vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern"][vc_column width="2/3"][vc_column_text] [vc_video link="https://vimeo.com/877048685/4f5b575e0b?share=copy"] [/vc_column_text][/vc_column][vc_column width="1/3"][vc_column_text] Test scene and CC BY license created as part of the GP PowerTools program Billie was created as part of our Grease Pencil PowerTools program, supported by the technical industries commission grant from the CNC (National Center for Cinema and the Moving Image). It addresses two challenges encountered in the development of our tools: bringing together technical constraints in 2D animation and providing images under a free license for sharing our results freely. The production process of this scene was inverted compared to the traditional creation process. The technical team wrote a specification document for the artistic team to respond to, resulting in the creation of Billie. Developers closely followed the production to validate the animators' work. Once fully created in Blender, the scene is used by developers to test and develop our Grease Pencil tools. This scene is available on our GitLab, and we wish to share it with the Blender community so that others can use it for their tool development. View the scene on GitLab View La Cuisine.tech     Credits With the support of Les Fées Spéciales Technical director: Flavio Perez Developer: Amélie Fondevilla 2D Animation Design: Léa Cluzel Animation: Camille Guillot Clean, colo: Coline Fournier Compositing: Julien Delwaulle Rigging: Lucile Le Boullec Modeling: Damien Picard Production Production...

26 Oct

Publié à 21:42h in par

[vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern"][vc_column width="2/3"][vc_column_text] Camera Plane: What is it? Camera Plane is a Blender addon designed to convert a 2D backdrop into a 3D environment. The Camera Plane is a tool created for Dilili in Paris, and we've used and improved it in nearly all of our productions. It allows you to import all the layers of a 2D backdrop and position them in the 3D space of the camera in just a few clicks. A menu offers simple and quick interactions for artists. The "planes" adapt to the camera's focal length, orientation, and position and can be easily adjusted. This enables the creation of a 3D environment where you can animate 3D or 2D assets, animate cameras, and achieve realistic parallax effects. We used it on The Siren. [vc_video link="https://vimeo.com/877405621/c0aaedfdc9?share=copy"]   [/vc_column_text][/vc_column][vc_column width="1/3"][vc_row_inner row_type="row" type="full_width" text_align="left" css_animation=""][vc_column_inner width="1/6"][/vc_column_inner][vc_column_inner width="5/6"][vc_column_text] Some links related to this tool: lacuisine.tech - Find all the articles from our R&D team The tool is available on GitLab   This tool has been used on:  Dilili à Paris The Siren ...

23 Oct

Publié à 17:05h in par

[vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern"][vc_column width="2/3"][vc_column_text] Comparison between an original image and the generated rendering The 3D rendering obtained from 2D materials [vc_video link="https://vimeo.com/878312980/94d970de3e?share=copy"] Work in progress: This is a raw test rendering, still in progress, and without compositing.  The original 2D sequence [vc_video link="https://vimeo.com/878312993/1b3d46afa5?share=copy"] [/vc_column_text][/vc_column][vc_column width="1/3"][vc_column_text] Test scene and CC BY license created as part of the GP PowerTools program Paper Pig was created as part of our Grease Pencil PowerTools program, supported by the technical industries fund of the CNC. This scene addresses two issues encountered in the development of our tools: having a project that encompasses the technical constraints of 2D animation and having images under a free license to freely share our results. The process of creating this scene unfolded in reverse to the classic creative process. In this case, the technical team drafted a specification for a graphic author who was able to propose Paper Pig in response to the requirements. The developers closely followed the creation process to validate the animators' work. The benefit of this scene is to create 3D scenes from elements animated in 2D. Once fully created in Blender, the scene is usable by developers to test and develop our Grease Pencil tools. This scene is available on our GitLab,...

22 Oct

Publié à 21:33h in par

[vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern"][vc_column width="2/3"][vc_column_text] Colibri: What Is It? Colibri is a library of static poses and animations designed to be shared among all the animators in a production. It comes with a website accessible from any studio (or remote artist), allowing for the creation, storage, and real-time sharing of these poses. A pose created by one artist is instantly available to everyone. From the website, you can interact with your Blender session by injecting the poses you need. The tool allows you to apply the whole or part of a pose, apply it in a mirrored fashion, or even blend the current pose in Blender with the one chosen by the artist in Colibri. This web application requires a Keycloak connection server and is initially set up to run in a docker. It also allows for managing multiple projects simultaneously, having private collections (by artists), or shared 'public' collections with connected individuals.     Colibri demonstration [vc_video link="https://vimeo.com/877405245/ea69148121?share=copy"]   Captures of Colibri Usage on The Siren [vc_gallery interval="10" images="4407,4408,4409" img_size="full" onclick=""direction_nav="yes"] [/vc_column_text][/vc_column][vc_column width="1/3"][vc_row_inner row_type="row" type="full_width" text_align="left" css_animation=""][vc_column_inner width="1/6"][/vc_column_inner][vc_column_inner width="5/6"][vc_column_text] Some links related to this tool: lacuisine.tech - Find all the articles from our R&D team The tool is available on GitLab   This tool has been used on:  ...

21 Oct

Publié à 21:27h in par

[vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern"][vc_column width="2/3"][vc_column_text] The Eyedropper is a Blender add-on for the Grease Pencil, Blender's drawing tool. It allows you to view and select all Grease Pencil structures under the cursor: the object, the layer, and the material. It works in two modes: on the fly and by clicking. Eye Dropper demonstration [vc_video link="https://vimeo.com/877070115/3ec18f42a0?share=copy"] [/vc_column_text][/vc_column][vc_column width="1/3"][vc_row_inner row_type="row" type="full_width" text_align="left" css_animation=""][vc_column_inner width="1/6"][/vc_column_inner][vc_column_inner width="5/6"][vc_column_text] Some links related to this tool: lacuisine.tech - Find all the articles from our R&D team The tool is available on GitLab   This tool has been used on:  TinyKin ...

20 Oct

Publié à 21:18h in par

[vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern"][vc_column width="2/3"][vc_column_text]   Color Mapper: What Is It? The Color Mapper is a Blender addon designed for the Grease Pencil, Blender's drawing tool. It allows you to create a color overlay on a set of materials. This overlay is applied through a set of modifiers, directly controllable via the mapper interface, making it non-destructive and leaving the material’s internal data intact. It has been used in: TinyKin...

15 Oct

Publié à 10:29h in par

[vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern"][vc_column width="2/3"][vc_column_text] Trailer  [vc_video link="https://vimeo.com/859011377/c4044f9e40?share=copy"] Images [vc_gallery interval="10" images="4443,4442,4444,4445" img_size="full" onclick=""] [/vc_column_text][/vc_column][vc_column width="1/3"][vc_column_text] Upcoming This film tells the lesser-known story of the birth of the most translated book after the Bible, right in the heart of New York during World War II. It’s a universal and timeless tale, with the key to its success—and the secret of its genesis—lying in the life of its author, Antoine de Saint-Exupéry. The documentary covers the last four years of the extraordinary life of the writer-pilot, from his exile in New-York in 1940 to his disappearance in 1944. It’s an intense period for the writer, filled with romantic, political, and artistic intrigues. ‘The Little Prince’ is a shining star of a book. Understanding how this star was born means understanding what unites us, despite the distance and the years. Director Vincent Nguyen and Les Films d’ici Méditerranée trusted us with creating dreamlike 2D keyframe animation sequences for the documentary. We had the privilege of animating evocations of St. Exupéry’s childhood and other moments of reverie. In addition to the 2D scenes, we also contributed to the 3D animation blocking for certain shots. The film is set to be broadcast on Arte at the end of 2023.   Credits Director: Vincent NguyenProduction: Barnabe, Les Films d'ici, Arte France, TV3 3D Animation: EJTSoon on: Arte France, RTVE, TV3, SVT, RTS, RTBF Les Fées Spéciales 2D...

08 Oct

Publié à 17:05h in par

[vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern"][vc_column width="2/3"][vc_column_text] Images  [vc_gallery interval="10" images="4542,4540,4537,4536,4538,4543,4544,4541" img_size="full"] [/vc_column_text][/vc_column][vc_column width="1/3"][vc_column_text] Released on 08/10/2023 on Canal+ Victor Wembanyama, the first French player in history to be drafted in the first position by an NBA franchise, is a basketball prodigy. His exceptional talent on the court and extraordinary measurements make him a unique player who fascinates the world. For a year, a film crew followed him in his private life, from his quest for one last French championship title with the Metropolitans 92 club to his arrival in San Antonio in the summer of 2023 with the famous Spurs franchise. Little Darwin Films entrusted us with the production of 2D animations for the documentary. These scenes represent memories or dreams of Victor Wembanyama. For each scene, Victor drew a basic sketch to introduce the animation, and the directors provided us with a script. Based on these elements, our artistic director, Rémi Bastie, proposed an animation and the further designs for each scene. Watch the documentary   Credits Les Fées Spéciales Technical Director: Flavio Perez Animation 2D Artistic director & design: Rémie Bastie 2D animator: Léa Cluzel Animation Supervision: Eric Serre Compositing: Julien Delwaulle Production Production Manager: Natalène Darfeuille Financial director: Sophie Marron [/vc_column_text][/vc_column][/vc_row]...

04 Sep

Publié à 08:11h in par

[vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern"][vc_column width="2/3"][vc_column_text] [vc_video link="https://vimeo.com/790751028/35bb315e2e"] [/vc_column_text][/vc_column][vc_column width="1/3"][vc_column_text] During the festive season, we had the privilege of animating "Le Canard Enchaîné" in 2D! The newspaper provided us with an illustration of the duck, which came to life using Blender's Grease Pencil tool under the skilled hand of our animator. The animation was used as part of the subscription campaign leading up to the 2022 holiday season. Credits Les Fées Spéciales Director, animator: Julien Delwaulle Technical director: Flavio Perez Production manager: Natalène Darfeuille   [/vc_column_text][/vc_column][/vc_row]...

24 Juil

Publié à 17:44h in par

[vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern"][vc_column width="2/3"][vc_column_text] Research Boards [vc_gallery interval="10" images="4527,4528,4529,4530,4531,4532" img_size="full" onclick=""] Concept Sketches [vc_gallery interval="10" images="4520,4521,4522,4523,4524,4525,4526" img_size="full" onclick=""] [/vc_column_text][/vc_column][vc_column width="1/3"][vc_column_text] After Immersion, we use the technique of augmented reality to The hidden lives of the soil. A collaborative research program initiated as part of the Readynov call for projects from the Occitanie Region, for innovative collaborative projects between businesses and research centers. It’s in consortium with the laboratory CEFE (Center for Functional and Evolutionary Ecology, CNRS, Paul Valéry University, University of Montpellier and IRD) and the Lunaret Zoo in Montpellier that we have carried out this program to combine art, science and technology. After several months of research, we have developed The hidden lives of the soil. An augmented reality application that reveals the invisible world hidden under our feet. Beyond the educational dimension, this project aims to convey important messages around biodiversity such as the importance of preserving the soil and its inhabitants. This approach provides the zoo with a new tool and subject of mediation. The application is available for smartphones on iOS (iPhone 6S or more recent) or on Android (Android 10 or more recent, and depending on the smartphone's capabilities). It is currently being used at the Zoo du...

24 Juin

Publié à 14:28h in par

[vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern"][vc_column width="2/3"][vc_column_text] Images du projet [vc_gallery interval="10" images="4513,4514,4515,4516" img_size="full" onclick=""][/vc_column_text][/vc_column][vc_column width="1/3"][vc_column_text] The Virtual Museum of Cinema Posters explores the evolution of movie posters since the early days of the film industry. Evolving into a distinct artistic medium, movie posters narrate the stories of films through characters and actions. Inextricably linked to the promotion of films, both in cinemas and on a large scale through offset printing, movie posters have become an integral part of cinematic history. The Jean Vigo Institute, based in Perpignan, possesses an extensive collection of cinema posters, spanning from the early days of cinema to the present, which they restore, digitize, and showcase. We accompanied the Jean Vigo Institute throughout the process, from conception to creation, and finally to the launch of the Virtual Museum of Cinema Posters.   To visit the museum Credits   Client: Institut Jean Vigo Les Fées Spéciales Artistic director: Marie Saby, Eric Serre Development: Mina Pêcheux Modeling, lighting & rendering: Damien Picard Research engineer: Nathalie Combe Production manager: Natalène Darfeuille [/vc_column_text][/vc_column][/vc_row]...

11 Juin

Publié à 17:27h in par

[vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern"][vc_column width="2/3"][vc_column_text] Trailer [vc_video link="https://vimeo.com/834682296/4356780659?share=copy"] La Sirène ©Les Films d'ici The Pipeline [vc_video link="https://vimeo.com/554707391/8fc9bbd94c"] [/vc_column_text][/vc_column][vc_column width="1/3"][vc_column_text] [/vc_column_text][/vc_column][vc_column width="1/3"][vc_column_text] 1980, Abadan. The capital of the Iranian oil industry is resisting an Iraqi siege. Fourteen-year-old Omid has braved the siege and stayed in the city with his grandfather, waiting for his elder brother to return from the front line. Along with Omid, a gallery of unusual characters have all remained in the city for their own reasons, and each resists in his or her own way. But the noose is tightening as Omid tries to save his loved ones, by embarking them on an abandoned boat he finds in Abadan’s port, that will become his ark. Selected in the Panorama section of the Berlinale Edition 2023 Official competition at Annecy Festival 2023 Best Original Music Award for a Feature Film at Annecy Festival 2023   Credits Director :  Sepideh Farsi Graphic autor : Zaven Najjar Dialogues and scenario : Javad Djavahery Co-producer : Special Touch Studios (France), Katuh Studio (Allemagne), Bac Cinéma (Luxembourg), Lunanime (Belgique), Trick Studio (Allemagne), Les Fées Spéciales (France), Amopix (France), Rêve d’Eau (France, Iran) Producer : Sébastien Onomo - Les Films d'ici Les Fées Spéciales On The Siren, our team is responsible for setting up the 3D Blender pipeline and rigging. Les Fées Spéciales' team: Technical director:...

02 Juin

Publié à 16:14h in par

[vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern"][vc_column width="2/3"][vc_column_text] Research board and initial tests [vc_gallery interval="5" images="4467,4473,4469,4470,4471,4472,4466,4468" img_size="full" onclick=""] Production and installation [vc_gallery interval="10" images="4474,4476,4481,4478,4479,4480,4475,4477" img_size="full" onclick=""] [/vc_column_text][/vc_column][vc_column width="1/3"][vc_column_text] After the spotlight on Jardins enluminés for the Palais des Rois de Majorque, the department of Pyrénées-Orientales entrusted us with the mission of creating an immersive room at the Château Royal de Collioure. A new space inviting visitors to travel through time visitors to rediscover the rich history. It is the technique of animated video mapping that was chosen to illustrate the walls of the room. It’s again the duo of directors Maud Sertour and Samy Barras who produced the animated show. The sound and visual experience allows you to discover the Catalan palace from the Middle Ages to today. This new mediation tool will support mediators in their work with the public by offering a visual support to suggest spaces inaccessible to the general public. This experience has been accessible since June 2023.   Credits Production: Département des Pyrénées-Orientales, Opixido et Les Fées Spéciales Supervision: Conseil départementales des Pyrénées-Orientales - Direction des Patrimoines In collaboration with Opixido (Communication and mediation support, teaser, making-of, supervision). Opixido supervision: Pascal Dupretz Les Fées Spéciales On this project, Les Fées Spéciales are responsible for pre-production, supervision, production, and animation fabrication. Directors: Maud Sertour...

24 Mai

Publié à 12:38h in par

[vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern"][vc_column width="2/3"][vc_column_text]   Images during the production process [vc_gallery interval="10" images="4498,4499,4500,4501,4502,4503" img_size="full" onclick=""] Scenography images [vc_gallery interval="10" images="4504,4505,4507,4508" img_size="full" onclick=""] ©Cité des Climats et des Vins de Bourgogne - Antoine Martel [/vc_column_text][/vc_column][vc_column width="1/3"][vc_column_text] A project to celebrate the vineyards and climates of Burgundy, through a spectacular 9-minute film, the viewer discovers the history of Burgundy. The immersion begins 200 million years ago with the times of the Earth and the geological phenomena that formed the specific subsoil of this region. Then comes the time of men and the discovery of centuries of wine exploitation from antiquity to the present day. On this device, we created the animated sequences that populate the landscapes of the film. It is a sober animation aesthetic, only in sketched white line that was chosen to be superimposed on the richness of the filmed images. The key frame animations (frame by frame drawing) and motion design were made with Grease Pencil (Blender) and After Effect. The Museum are made-up of 3 sites: Mâcon, Chablis and Beaune. Our group (Drôle de Trame representative) was in charge of audiovisual and multimedia production for Chablis and Mâcon. The film was edited in 2 versions to adapt to the scenographies of the...

30 Jan

Publié à 09:50h in par

[vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern"][vc_column width="2/3"][vc_column_text] Images of the installation  [vc_gallery interval="5" images="4615,4616,4617,4618,4619" img_size="full" onclick=""]   Research boards   [vc_gallery interval="5" images="4611,4609,4612,4613,4614" img_size="full" onclick=""]   [/vc_column_text][/vc_column][vc_column width="1/3"][vc_column_text] In 2022, we had the opportunity to participate in two wine city projects: the Cities of Climates and Wines of Burgundy and the Bordeaux Wine City. In collaboration with Clap 35, we worked on the "Terroirs of the World" installation. This mediation tool invites visitors to meet 10 winemakers from around the world: France, Germany, Portugal, Japan, California, Australia, and more. Located at the end of the visit, it explains the concept of terroir—an interaction between natural elements such as climate, exposure, environment, soil, fauna, and flora, and the indispensable human know-how. These factors collectively create the unique characteristics of wines. Our studio was responsible for the animation: designing and animating elements that were integrated into the footage and editing done by Clap 35. Credits Client: Fondation pour la culture et les civilisations du vin  Lead contractor: Clap35 Director: Jean-Pierre François  Les Fées Spéciales On this project, Les Fées Spéciales handled the animation: designing and animating elements integrated into the footage. Artistic directors: Eric Serre et Marie Saby Production managers: Natalène Darfeuille, Gabrièla de Carvalho Animators: Maxime Labate, Julien Delwaulle, Jean-Baptiste Marchand Technical director: Flavio Perez Financial director: Sophie Marron [/vc_column_text][/vc_column][/vc_row]...

01 Déc

Publié à 15:01h in par

[vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern"][vc_column width="2/3"][vc_column_text] Trailer [vc_video link="https://www.youtube.com/watch?v=iJ3sZDvsZwE"] [/vc_column_text][/vc_column][vc_column width="1/3"][vc_column_text] Feature Film An army of teddy bears trains and indoctrinates young recruits for the war against unicorns, who threaten the safety of the teddy bear people. Brothers Célestin and Dodu, along with a group of inexperienced recruits, will be sent on a dangerous mission to save the Magical Forest where the unicorns reside, triggering a terrible battle. Credits   An animated feature film by: Alberto VÁZQUEZ Production: ABANO PRODUCIÓNS, Chelo LOUREIRO, UNIKO ESTUDIO CREATIVO, Ivan MINAMBRES, AUTOUR DE MINUIT, Nicolas SCHMERKIN, SCHMUBY PRODUCTIONS Distribution: UFO, Stéphane AUCLAIRE, CHARADES Les Fées Spéciales For this feature film, our team handled the clean-up of a sequence using Blender's Grease Pencil tool. Technical Director: Flavio Perez Production Manager: Natalène Darfeuille Clean Artists: Marthe Delaporte, Coline Fournier [/vc_column_text][/vc_column][/vc_row]...

23 Nov

Publié à 15:38h in par

[vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern"][vc_column width="2/3"][vc_column_text] [vc_gallery interval="10" images="4458,4460,4461,4462,4463,4459,4457" img_size="full" onclick=""]   ©La Voie Lactée   [/vc_column_text][/vc_column][vc_column width="1/3"][vc_column_text] Broadcast on France 3 on 02/23/2023 The Venus of Lespugue, 14 cm high, is a mammoth ivory jewel. It was found in 1922 at the foot of the Pyrenees, in Haute-Garonne, by René de Saint-Périer, a doctor passionate about archeology, then almost blind! Dated to 25,000 years before our era, the sculpture with its generous curves, its fractures and its mathematical construction, inspired Picasso and Giacometti in particular. Nathalie Rouquerol, a historian specializing in prehistory, lives a few hundred meters from the Rideaux cave in the Save valley, where the figurine was found. Always passionate about this discovery, she takes us to meet personalities who shed light on the mystery of this sculpture, a real "Mona Lisa of the Paleolithic". On this documentary, we made the infographics of the Venus of Lespugue from an existing 3D model of the Museum of human (National Museum of Natural History). For this project, a non-realistic aesthetic was chosen. Crédits Production: La Voie Lactée Coproducers: le LoKal et France Télévisions Director: Anaïs Enshaian Wrote by: Nathalie Rouquerol et Anaïs Enshaian Les Fées Spéciales On this project, we created 3D infographics. Artistic director: Eric Serre Modeling, lighting & compositing: Damien Picard Layout &...

30 Oct

Publié à 10:20h in par

[vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern"][vc_column width="2/3"][vc_column_text] Images [vc_gallery interval="10" images="4437,4436,4435" img_size="full" onclick=""] [/vc_column_text][/vc_column][vc_column width="1/3"][vc_column_text] In development - series (78 x 12') A collection of sweet and kawaii tales with a touch of emotion! In Tricotown, the Amigurumis live, a small community of knitted creatures. Life is as soft as cotton there...

24 Oct

Publié à 11:25h in par

[vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern"][vc_column width="2/3"][vc_column_text] Images from the documentary [vc_gallery interval="5" images="4486,4485,4489,4488,4487,4492,4491,4490" img_size="full" onclick=""] Poses and tests [vc_gallery interval="10" images="4493,4495,4494" img_size="full" onclick=""] Test de marche [vc_video link="https://vimeo.com/812399571/2c575f94bb"] ©CFRT/Joparige films   [/vc_column_text][/vc_column][vc_column width="1/3"][vc_column_text] Broadcast on France 3 on 03/30/2023 60 years ago, born in Buenos Aires, under the genius pen of its author Quino, a rebellious little girl who cared about the things of life. Mafalda was interested in the world and asking questions. Mafalda, reviens! tells the story of this heroine, symbol of a protesting and anti-conformist spirit famous throughout the world. Using archives, animated images, and real shots, the little Mafalda becomes an unusual gateway to look at the world of today. What's happened since Quino stopped drawing her? What have we done ? Where is the peace? Feminism ? The middle class ? The planet ? Where are we with anger? With insolence? CRFT trusted us for the 2D animation sequences of the documentary. We had the chance to animate the little Mafalda present in the live action. Some of the animations were produced in cut-out animation (with Blender) by Studio 3.0 from 2D puppets made by our team. The other animations were animated in 2D key frame with grease pencil by our graphic designers. We made the...

30 Août

Publié à 11:11h in par

[vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern"][vc_column width="2/3"][vc_column_text] Trailer [vc_video link="https://www.youtube.com/watch?v=terVw3jDZeo&ab_channel=tinyBuildGAMES"] Game screenshot [vc_gallery interval="10" images="4271,4272,4268,4269,4270,4267" img_size="full" onclick=""][/vc_column_text][/vc_column][vc_column width="1/3"][vc_column_text] Coming august 30 2022 Milo arrives on Earth to find that he's way too small, everybody's gone and a day hasn't passed since 1991! Team up with the mysterious tinykin and use their unique powers to create ladders, bridges, explosions and a lot more! Find a way home through a sprawling ant-sized metropolis, and unravel Earth's biggest mystery! Game available on Switch, PC, PS4, PS5, Xbox One, Xbox Série X.  The studio made the animated sequences of the video game. The 2D animation technique was chosen, our team used Blender's Grease Pencil tool and various tools developed by our R&D team. You can find a presentation of the color picker, created for this project, on our technical blog. Play Credits Artistic director: Simon Trousellier Creative director: Marie Marquet, Romain Claude Développement : Splashteam Editeur : tinyBuild Les Fées Spéciales Technical director: Flavio Perez Production manager: Natalène Darfeuille Storyboard: Julien Daubas Background artist: Gaëlle Diot, Léa Cluzel Layout & animatiq: Maxime Labate, Lucile Le Boullec, Damien Picard Animator: Camille Guillot, Julien Delwaulle Clean/colo: Coline Fournier, Cléa Gonay, Camille Guillot, Suzanne Matharan, José Perez Compositing: Julien Delwaulle Developpers /Technical support: Baptiste Delos, Amélie Fondevilla Production manager assistant: Gabrielle Gonçalves [/vc_column_text][/vc_column][/vc_row]...