Archive

24 Juil The Hidden Lives of Soil: Immersive and Augmented Journey

Publié à 17:44h in par Gabriela de Carvalho

[vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern"][vc_column width="2/3"][vc_column_text] Research Boards [vc_gallery interval="10" images="4527,4528,4529,4530,4531,4532" img_size="full" onclick=""] Concept Sketches [vc_gallery interval="10" images="4520,4521,4522,4523,4524,4525,4526" img_size="full" onclick=""] [/vc_column_text][/vc_column][vc_column width="1/3"][vc_column_text] After Immersion, we use the technique of augmented reality to The hidden lives of the soil. A collaborative research program initiated as part of the Readynov call for projects from the Occitanie Region, for innovative collaborative projects between businesses and research centers. It’s in consortium with the laboratory CEFE (Center for Functional and Evolutionary Ecology, CNRS, Paul Valéry University, University of Montpellier and IRD) and the Lunaret Zoo in Montpellier that we have carried out this program to combine art, science and technology. After several months of research, we have developed The hidden lives of the soil. An augmented reality application that reveals the invisible world hidden under our feet. Beyond the educational dimension, this project aims to convey important messages around biodiversity such as the importance of preserving the soil and its inhabitants. This approach provides the zoo with a new tool and subject of mediation. The application is available for smartphones on iOS (iPhone 6S or more recent) or on Android (Android 10 or more recent, and depending on the smartphone's capabilities). It is currently being used at the Zoo du...

24 Juin Virtual Museum of Cinema Posters

Publié à 14:28h in par Gabriela de Carvalho

[vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern"][vc_column width="2/3"][vc_column_text] Images du projet [vc_gallery interval="10" images="4513,4514,4515,4516" img_size="full" onclick=""][/vc_column_text][/vc_column][vc_column width="1/3"][vc_column_text] The Virtual Museum of Cinema Posters explores the evolution of movie posters since the early days of the film industry. Evolving into a distinct artistic medium, movie posters narrate the stories of films through characters and actions. Inextricably linked to the promotion of films, both in cinemas and on a large scale through offset printing, movie posters have become an integral part of cinematic history. The Jean Vigo Institute, based in Perpignan, possesses an extensive collection of cinema posters, spanning from the early days of cinema to the present, which they restore, digitize, and showcase. We accompanied the Jean Vigo Institute throughout the process, from conception to creation, and finally to the launch of the Virtual Museum of Cinema Posters. To visit the museum Credits Client: Institut Jean Vigo Les Fées Spéciales Artistic director: Marie Saby, Eric Serre Development: Mina Pêcheux Modeling, lighting & rendering: Damien Picard Research engineer: Nathalie Combe Production manager: Natalène Darfeuille [/vc_column_text][/vc_column][/vc_row]...

11 Juin The Siren

Publié à 17:27h in par Gabriela de Carvalho

[vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern"][vc_column width="2/3"][vc_column_text] Trailer [vc_video link="https://vimeo.com/834682296/4356780659?share=copy"] La Sirène ©Les Films d'ici The Pipeline [vc_video link="https://vimeo.com/554707391/8fc9bbd94c"] [/vc_column_text][/vc_column][vc_column width="1/3"][vc_column_text] [/vc_column_text][/vc_column][vc_column width="1/3"][vc_column_text] 1980, Abadan. The capital of the Iranian oil industry is resisting an Iraqi siege. Fourteen-year-old Omid has braved the siege and stayed in the city with his grandfather, waiting for his elder brother to return from the front line. Along with Omid, a gallery of unusual characters have all remained in the city for their own reasons, and each resists in his or her own way. But the noose is tightening as Omid tries to save his loved ones, by embarking them on an abandoned boat he finds in Abadan’s port, that will become his ark. Selected in the Panorama section of the Berlinale Edition 2023 Official competition at Annecy Festival 2023 Best Original Music Award for a Feature Film at Annecy Festival 2023 Credits Director : Sepideh Farsi Graphic autor : Zaven Najjar Dialogues and scenario : Javad Djavahery Co-producer : Special Touch Studios (France), Katuh Studio (Allemagne), Bac Cinéma (Luxembourg), Lunanime (Belgique), Trick Studio (Allemagne), Les Fées Spéciales (France), Amopix (France), Rêve d’Eau (France, Iran) Producer : Sébastien Onomo - Les Films d'ici Les Fées Spéciales On The Siren, our team is responsible for setting up the 3D Blender pipeline and rigging. Les Fées Spéciales' team: Technical director:...

02 Juin Explora, immersion au Château Royal de Collioure

Publié à 16:14h in par Gabriela de Carvalho

[vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern"][vc_column width="2/3"][vc_column_text] Research board and initial tests [vc_gallery interval="5" images="4467,4473,4469,4470,4471,4472,4466,4468" img_size="full" onclick=""] Production and installation [vc_gallery interval="10" images="4474,4476,4481,4478,4479,4480,4475,4477" img_size="full" onclick=""] [/vc_column_text][/vc_column][vc_column width="1/3"][vc_column_text] After the spotlight on Jardins enluminés for the Palais des Rois de Majorque, the department of Pyrénées-Orientales entrusted us with the mission of creating an immersive room at the Château Royal de Collioure. A new space inviting visitors to travel through time visitors to rediscover the rich history. It is the technique of animated video mapping that was chosen to illustrate the walls of the room. It’s again the duo of directors Maud Sertour and Samy Barras who produced the animated show. The sound and visual experience allows you to discover the Catalan palace from the Middle Ages to today. This new mediation tool will support mediators in their work with the public by offering a visual support to suggest spaces inaccessible to the general public. This experience has been accessible since June 2023. Credits Production: Département des Pyrénées-Orientales, Opixido et Les Fées Spéciales Supervision: Conseil départementales des Pyrénées-Orientales - Direction des Patrimoines In collaboration with Opixido (Communication and mediation support, teaser, making-of, supervision). Opixido supervision: Pascal Dupretz Les Fées Spéciales On this project, Les Fées Spéciales are responsible for pre-production, supervision, production, and animation fabrication. Directors: Maud Sertour...

24 Mai A vineyard with a rich history

Publié à 12:38h in par Gabriela de Carvalho

[vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern"][vc_column width="2/3"][vc_column_text] Images during the production process [vc_gallery interval="10" images="4498,4499,4500,4501,4502,4503" img_size="full" onclick=""] Scenography images [vc_gallery interval="10" images="4504,4505,4507,4508" img_size="full" onclick=""] ©Cité des Climats et des Vins de Bourgogne - Antoine Martel [/vc_column_text][/vc_column][vc_column width="1/3"][vc_column_text] A project to celebrate the vineyards and climates of Burgundy, through a spectacular 9-minute film, the viewer discovers the history of Burgundy. The immersion begins 200 million years ago with the times of the Earth and the geological phenomena that formed the specific subsoil of this region. Then comes the time of men and the discovery of centuries of wine exploitation from antiquity to the present day. On this device, we created the animated sequences that populate the landscapes of the film. It is a sober animation aesthetic, only in sketched white line that was chosen to be superimposed on the richness of the filmed images. The key frame animations (frame by frame drawing) and motion design were made with Grease Pencil (Blender) and After Effect. The Museum are made-up of 3 sites: Mâcon, Chablis and Beaune. Our group (Drôle de Trame representative) was in charge of audiovisual and multimedia production for Chablis and Mâcon. The film was edited in 2 versions to adapt to the scenographies of the...

30 Jan Terroirs of the World

Publié à 09:50h in par Gabriela de Carvalho

[vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern"][vc_column width="2/3"][vc_column_text] Images of the installation [vc_gallery interval="5" images="4615,4616,4617,4618,4619" img_size="full" onclick=""] Research boards [vc_gallery interval="5" images="4611,4609,4612,4613,4614" img_size="full" onclick=""] [/vc_column_text][/vc_column][vc_column width="1/3"][vc_column_text] In 2022, we had the opportunity to participate in two wine city projects: the Cities of Climates and Wines of Burgundy and the Bordeaux Wine City. In collaboration with Clap 35, we worked on the "Terroirs of the World" installation. This mediation tool invites visitors to meet 10 winemakers from around the world: France, Germany, Portugal, Japan, California, Australia, and more. Located at the end of the visit, it explains the concept of terroir—an interaction between natural elements such as climate, exposure, environment, soil, fauna, and flora, and the indispensable human know-how. These factors collectively create the unique characteristics of wines. Our studio was responsible for the animation: designing and animating elements that were integrated into the footage and editing done by Clap 35. Credits Client: Fondation pour la culture et les civilisations du vin Lead contractor: Clap35 Director: Jean-Pierre François Les Fées Spéciales On this project, Les Fées Spéciales handled the animation: designing and animating elements integrated into the footage. Artistic directors: Eric Serre et Marie Saby Production managers: Natalène Darfeuille, Gabrièla de Carvalho Animators: Maxime Labate, Julien Delwaulle, Jean-Baptiste Marchand Technical director: Flavio Perez Financial director: Sophie Marron [/vc_column_text][/vc_column][/vc_row]...

01 Déc Unicorn Wars

Publié à 15:01h in par Gabriela de Carvalho

23 Nov Venus de Lespugue

Publié à 15:38h in par Gabriela de Carvalho

[vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern"][vc_column width="2/3"][vc_column_text] [vc_gallery interval="10" images="4458,4460,4461,4462,4463,4459,4457" img_size="full" onclick=""] ©La Voie Lactée [/vc_column_text][/vc_column][vc_column width="1/3"][vc_column_text] Broadcast on France 3 on 02/23/2023 The Venus of Lespugue, 14 cm high, is a mammoth ivory jewel. It was found in 1922 at the foot of the Pyrenees, in Haute-Garonne, by René de Saint-Périer, a doctor passionate about archeology, then almost blind! Dated to 25,000 years before our era, the sculpture with its generous curves, its fractures and its mathematical construction, inspired Picasso and Giacometti in particular. Nathalie Rouquerol, a historian specializing in prehistory, lives a few hundred meters from the Rideaux cave in the Save valley, where the figurine was found. Always passionate about this discovery, she takes us to meet personalities who shed light on the mystery of this sculpture, a real "Mona Lisa of the Paleolithic". On this documentary, we made the infographics of the Venus of Lespugue from an existing 3D model of the Museum of human (National Museum of Natural History). For this project, a non-realistic aesthetic was chosen. Crédits Production: La Voie Lactée Coproducers: le LoKal et France Télévisions Director: Anaïs Enshaian Wrote by: Nathalie Rouquerol et Anaïs Enshaian Les Fées Spéciales On this project, we created 3D infographics. Artistic director: Eric Serre Modeling, lighting & compositing: Damien Picard Layout &...

30 Oct Tricotown

Publié à 10:20h in par Gabriela de Carvalho

[vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern"][vc_column width="2/3"][vc_column_text] Images [vc_gallery interval="10" images="4437,4436,4435" img_size="full" onclick=""] [/vc_column_text][/vc_column][vc_column width="1/3"][vc_column_text] In development - series (78 x 12') A collection of sweet and kawaii tales with a touch of emotion! In Tricotown, the Amigurumis live, a small community of knitted creatures. Life is as soft as cotton there...

24 Oct Mafalda

Publié à 11:25h in par Gabriela de Carvalho

[vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern"][vc_column width="2/3"][vc_column_text] Images from the documentary [vc_gallery interval="5" images="4486,4485,4489,4488,4487,4492,4491,4490" img_size="full" onclick=""] Poses and tests [vc_gallery interval="10" images="4493,4495,4494" img_size="full" onclick=""] Test de marche [vc_video link="https://vimeo.com/812399571/2c575f94bb"] ©CFRT/Joparige films [/vc_column_text][/vc_column][vc_column width="1/3"][vc_column_text] Broadcast on France 3 on 03/30/2023 60 years ago, born in Buenos Aires, under the genius pen of its author Quino, a rebellious little girl who cared about the things of life. Mafalda was interested in the world and asking questions. Mafalda, reviens! tells the story of this heroine, symbol of a protesting and anti-conformist spirit famous throughout the world. Using archives, animated images, and real shots, the little Mafalda becomes an unusual gateway to look at the world of today. What's happened since Quino stopped drawing her? What have we done ? Where is the peace? Feminism ? The middle class ? The planet ? Where are we with anger? With insolence? CRFT trusted us for the 2D animation sequences of the documentary. We had the chance to animate the little Mafalda present in the live action. Some of the animations were produced in cut-out animation (with Blender) by Studio 3.0 from 2D puppets made by our team. The other animations were animated in 2D key frame with grease pencil by our graphic designers. We made the...

30 Août Tinykin

Publié à 11:11h in par Gabriela de Carvalho

[vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern"][vc_column width="2/3"][vc_column_text] Trailer [vc_video link="https://www.youtube.com/watch?v=terVw3jDZeo&ab_channel=tinyBuildGAMES"] Game screenshot [vc_gallery interval="10" images="4271,4272,4268,4269,4270,4267" img_size="full" onclick=""][/vc_column_text][/vc_column][vc_column width="1/3"][vc_column_text] Coming august 30 2022 Milo arrives on Earth to find that he's way too small, everybody's gone and a day hasn't passed since 1991! Team up with the mysterious tinykin and use their unique powers to create ladders, bridges, explosions and a lot more! Find a way home through a sprawling ant-sized metropolis, and unravel Earth's biggest mystery! Game available on Switch, PC, PS4, PS5, Xbox One, Xbox Série X. The studio made the animated sequences of the video game. The 2D animation technique was chosen, our team used Blender's Grease Pencil tool and various tools developed by our R&D team. You can find a presentation of the color picker, created for this project, on our technical blog. Play Credits Artistic director: Simon Trousellier Creative director: Marie Marquet, Romain Claude Développement : Splashteam Editeur : tinyBuild Les Fées Spéciales Technical director: Flavio Perez Production manager: Natalène Darfeuille Storyboard: Julien Daubas Background artist: Gaëlle Diot, Léa Cluzel Layout & animatiq: Maxime Labate, Lucile Le Boullec, Damien Picard Animator: Camille Guillot, Julien Delwaulle Clean/colo: Coline Fournier, Cléa Gonay, Camille Guillot, Suzanne Matharan, José Perez Compositing: Julien Delwaulle Developpers /Technical support: Baptiste Delos, Amélie Fondevilla Production manager assistant: Gabrielle Gonçalves [/vc_column_text][/vc_column][/vc_row]...

04 Juil Ensérune – Interactivity

Publié à 14:05h in par Gabriela de Carvalho

[vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern"][vc_column width="2/3"][vc_column_text] Photos of the installation [vc_gallery interval="10" images="4363,4362,4361,4360" img_size="full" onclick=""] Images from the multimedia [vc_gallery interval="10" images="4351,4355,4349,4356,4348,4365,4364,4353,4354" img_size="full" onclick=""] [/vc_column_text][/vc_column][vc_column width="1/3"][vc_column_text] In 2022, we had the opportunity to work for the first time with "Drôle de Trame" and the "Centre des Monuments Nationaux" (National Monuments Center) at the Oppidum d'Ensérune site. We created three elements for the new permanent exhibition at the museum. In addition to the projected map "Ensérune Crossroads of Civilizations," we developed two interactive installations, "A Tune from Athens" and "The World of the Celts." These two tactile applications are located in the Mouret room, the final stop on the tour, which houses a significant portion of the vases discovered in the necropolis and immerses us in Félix Mouret's study in 1916. At the center of the room, two tables, true discovery cabinets, integrate the digital installations that allow us to step into the shoes of Félix Mouret in 1916, during the excavations and cataloging of discoveries. His classification system, which he described in a volume of the "Corpus Vasorum Antiquorum," remains a reference in the identification of vases of Greek origin or influence even in our time. The first table, "A Tune from Athens," is dedicated...

04 Juil Ensérune – Crossroads of civilizations

Publié à 14:03h in par Gabriela de Carvalho

[vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern"][vc_column width="2/3"][vc_column_text] Photos of the installation [vc_gallery interval="10" images="4336,4337,4338,4345,4346" img_size="full" onclick=""] Images from the film [vc_gallery interval="10" images="4339,4340,4341,4342,4343,4344" img_size="full" onclick=""] [/vc_column_text][/vc_column][vc_column width="1/3"][vc_column_text] In 2022, we had the opportunity to collaborate for the first time with "Drôle de Trame" and the "Centre des Monuments Nationaux" on the site of the Oppidum d'Ensérune. We created three elements for the new permanent exhibition of the restored museum. The first element, "Ensérune Crossroads of Civilizations," is a map over 1.50 meters in height projected onto a relief map of Europe, serving as an introduction to the site's visit. Through this 3-minute spectacle, visitors can discover iconic objects imported over seven centuries by the inhabitants of Ensérune. The various objects presented in the film are displayed in the showcases of the room. As the motion design animations progress, we explore the different civilizations that populated Europe and the Mediterranean region: Celts, Orientals, Phoenicians, Romans, and more. It's a true immersion into the consumption habits of the inhabitants of the Oppidum d'Ensérune from 575 BC to 200 AD. The new museum tour was inaugurated in early July 2022. See other installations Credits Client: Centre des Monuments Nationaux Alexandra Dromard et Lina Nakazawa Lionel Izak Sophie Izak Main contractor Scenography Workshop: Fakestorybird, Marion Lyonnais, Joël Tanguy Graphic...

20 Juin Nitrokid

Publié à 14:28h in par Gabriela de Carvalho

12 Mai Promenade dans Rome

Publié à 14:26h in par Gabriela de Carvalho

[vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern"][vc_column width="2/3"][vc_column_text] Film [vc_video link="https://vimeo.com/705414366/44425a182b"] Images from the film [vc_gallery interval="10" images="4321,4322,4323,4324,4325" img_size="full" onclick=""] [/vc_column_text][/vc_column][vc_column width="1/3"][vc_column_text] We are back again with the team at Musée Fabre, following our successful collaboration on Fabre and the City #2’s journey spanning 800 years. This time, painter Louis Gauffier is our focus, as we follow him throughout 18th century Rome. This film merges both 2D animation and original engravings by the artist. We have managed to recreate historical views of places now gone, as well as a map of Rome as it was at the time. Our take on Gauffier’s stroll depicts the artist’s work methods and showcases some of his long-lasting inspirations. The film is a component of an exhibition entitled “Le voyage en Italie de Louis Gauffier”, taking place at the Musée Fabre from May 7th to September 4th, 2022. The exhibition features numerous works by painter Louis Gauffier, born in Poitiers, and recipient of the prestigious Prix de Rome in 1784. Find out more about the exhibition Credits Musée Fabre Digital projects manager: Anne Le Cabec Cultural heritage curator: Pierre Stépanoff Head and curator of Musée Fabre: Michel Hilaire Les Fées Spéciales Director, art director, scenario and animatic: Eric Serre Character design and 2D animation: Coline Fournier Original music...

19 Avr Orbis

Publié à 15:04h in par Gabriela de Carvalho

[vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern"][vc_column width="2/3"][vc_column_text] Images from the project [vc_gallery interval="10" images="4315,4316,4309,4311,4313,4314,4310" img_size="full" onclick=""] The signs used in the game [/vc_column_text][/vc_column][vc_column width="1/3"][vc_column_text] On September 20, 1519, Portuguese explorer Ferdinand de Magellan set sail under the Spanish flag with a fleet of five ships and 237 men. While Magellan did not survive this perilous journey (he passed away on April 27, 1521), his fleet (what remained of it) successfully circumnavigated the globe, reaching Spain via the Cape of Good Hope, thus completing the first-ever circumnavigation of the world. The epic voyage of this extraordinary journey serves as the backdrop for the VR game "Orbis." Magellan's expedition provides a unique opportunity to transport players into uncharted territory through a virtual reality game where survival and success depend on our ability to manage ourselves and communicate with people from distant lands using our hands. In this project, our studio is responsible for the artistic aspects: design, modeling, rigging, animation, compositing, rendering, and other elements that will be integrated into the VR game. The development is being handled by the American studio Ink Studio. "Orbis" marked our first collaboration with a U.S.-based studio. We are currently in the artistic prototype stage of the VR game. Credits Production: Lucid Realities, Ink...

16 Jan Impesanteur

Publié à 11:41h in par Gabriela de Carvalho

[vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern"][vc_column width="2/3"][vc_column_text] Pictures [vc_gallery interval="10" images="4246,4247" img_size="full" onclick=""] [/vc_column_text][/vc_column][vc_column width="1/3"][vc_column_text] Impesanteur (lit. Weightlessness) is a R&D prototype which offers two different user experiences of the same zero-gravity simulation : an Augmented Reality one, using Hololens 2 connected glasses, and a Virtual Reality one, enabled by the use of an Oculus Rift-type headset. The VR simulation consists of the recreation of either a neutral environment, or that of a space shuttle (using the ISS as a setting). The user may try and interact with a solid object (a pen) or water, in a zero-gravity environment. He also comes in close contact with and witnesses an astronaut moving about. To finish with, the user can experience his own movement as if he was in space. The AR simulation allows the user to interact with a pen and water as well. This prototype also shows the astronaut move, weightless. Credits Production : EPPDCSI (Universcience, Palais de la Découverte et Cité des Sciences et de l’Industries) et Les Fées Spéciales. Les Fées Spéciales Technical director : Flavio Perez Developer : Simon Galand [/vc_column_text][/vc_column][/vc_row]...

16 Oct A Cavalòt

Publié à 11:48h in par Gabriela de Carvalho

[vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern"][vc_column width="2/3"][vc_column_text] Pictures from the music video [vc_gallery interval="10" images="4251,4252,4253,4254,4255,4256,4257,4258,4259" img_size="full" onclick=""] Music video [vc_video link="https://www.youtube.com/watch?v=a3ovVzigVNs"] [/vc_column_text][/vc_column][vc_column width="1/3"][vc_column_text] After a 7-year long break from the stage, Massilia Sound System is back at last with a new album entitled Sale Caractère, and the music video to their new song A Cavalòt. The Marseille-born band have asked film director and editorial cartoonist Aurel to direct the music video. Aurel made the choice to add animated sequences to raw camera footage. We joined the venture by providing a new open-source technical tool called Flipix, which allows one to create animation in real time upon live footage. The music video was an opportunity for us to test and adjust the first version of the prototype. We are eager to try it and perfect it further on future projects. This project was made using the prototype Flipix, which is supported by the French National Centre for Cinema (CNC)’s subsidy for technical industries. Credits Production : MANIVETTE RECORDS and LES FILMS D'ICI MÉDITERRANÉE Screenwriting, directing and design : Aurel Images : Sylvère Petit Assistant director : Élodie Dombre Editor : Thomas Belair Compositing and special effects : Julien Delwaulle R&D engineer : Mina Pêcheux Massilia Sound System : Papet J, Moussu T, Gari Grèu, Janvié...

01 Oct Shamane

Publié à 15:13h in par Gabriela de Carvalho

[vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern"][vc_column width="2/3"][vc_column_text] Demonstration video [vc_video link="https://vimeo.com/617064788/966ec35a36"] Research images [vc_gallery interval="10" images="4181,4179,4180,4183,4184,4185,4186,4182,4178" img_size="full"] [/vc_column_text][/vc_column][vc_column width="1/3"][vc_column_text] Prototype - In development Shamane is a platform project providing a tool to study the population dynamics of Przewalski's horses and their mediation with the public. The prototype was created for the association Takh (which means Przewalski's horse in Mongolian) to demonstrate the usefulness of digital tools to help the conservation of the last wild horse species. Since the 90's, their mission has allowed the reintroduction of a small population of Przewalski's horses in their natural environment in Mongolia. We worked on the artistic and ergonomic part of the prototype in collaboration with Géomatys, a company specialized in geospatial data processing, which created the interface. The objective of this scientific-technical and artistic association is to facilitate the reading and accessibility of the data. Our mission at the studio was to set up the artistic direction of the prototype interface, to design a website and to make a tutorial film. The choice of textures, graphic signals as well as the color codes are inspired by the arid steppes where horses live, and the colorful tones of the landscapes. A rupestrian inspiration transpires in the treatment of the symbols and the...

28 Sep The Missions of the Departmental Archives of the Gard

Publié à 10:11h in par Gabriela de Carvalho

[vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern"][vc_column width="2/3"][vc_column_text] Images from the film [vc_gallery interval="10" images="4157,4162,4160,4161,4159,4158" img_size="full"] Research images [vc_gallery interval="10" images="4153,4152,4154,4155,4156" img_size="full"] [/vc_column_text][/vc_column][vc_column width="1/3"][vc_column_text] Parallely to the realization of the animated credits of the web-series Généalogistes en Herbe, the Departmental Archives entrusted us with the mission of creating a 2 minutes film about their 4 main missions. From collection, to communication by way of classification and conservation, we discover, in a didactic way, the hidden side of the archivist's job. For the needs of this subject, we chose the technique of motion design, which allowed us to create a colorful universe. The objects and documents of the archives are associated with gestures and short sketches asserting the human dimension of the Archives' jobs. A chosen range of color guides the viewer according to the mission. Credits Production: Archives départementales du Gard et Les Fées Spéciales Archives départementales du Gard Project management: Archives départementales du Gard Conception and project coordination: Alicia Jeandenans & Manon Boucher, under the supervision of Fabienne Griot Les Fées Spéciales Directors: Marie Saby et Léa Cluzel Graphic author: Léa Cluzel Animator: Julien Delwaulle Technical director: Flavio Perez Artistic supervision: Eric Serre Financial director: Sophie Marron Project manager: Natalène Darfeuille Assistant project manager: Sophie Menegazzi et Tanya Monamy Son : Mare Nostrum Records [/vc_column_text][/vc_column][/vc_row]...